In the second half of the 20th century, the myth of Faust reinvests music creation: Dr Fausteus of Thomas Mann is the main reason for this and, through him, the schoenbergian dodecaphonism. Composing a Faust means facing the spectrum of Arnold Schoenberg, one of the models, but not the only, of Adrian Leverkühn — and, above all, Nietzsche, and especially Nietzsche, easily identifiable, into the lakes of the work. Also affirms the desire to return to a Faust prior to c...