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Article

French

ID: <

10.4000/germanica.2630

>

·

DOI: <

10.4000/germanica.2630

>

Where these data come from
‘Todesarten’ from Ingeborg Bachmann or from death disease

Abstract

It is well known that Ingeborg Bachmann had designed the plan of a romantic work in several volumes, which remained unfinished. Todesarten is the title of this cycle, which includes Malina, Der Fall Franza and Der Fall Franza für Fanny Goldmann. The clear intention of I. Bachmann is to write with Der Fall Franza the report of a crime. Crime is the perverse and refined art of attracting women, the aborigens of a territory away from our civilisation, the weak, i.e. all representatives of a lower breed, in a trap where they will die from the disease that has been chartered fairly inoculated to them. The development and fatal outcome of the Franza case, the main purpose of this work, is methodically planned. The principle of Mal in the form of the will of power requires absolutely radical destruction of Autre.However, it is questionable whether the process is carried out according to such unclear machiavelism as the lawyer of Franza, Fanny Goldmann or ‘I’ claims. The victim does not suffer in full innocence to the perfide of the burgeon who is searching for them by silencing any resistance, whether in the form of a seductor vulgar or the image of Father. What the doctor describes as an illness from an objective and scientific point of view turns out to be fatal desperation or illness upon death. The experience of vicariating suffering culminates in identification at the Passion du Christ. But without any reference to transcendance, suffering and life are absurd. Ingeborg Bachmann leaves no chance of survival to life.

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