The implicit sign of the architectural sign: notes on the political rhetoric of building art between the Middle Ages and Renaissance
Disciplines
Article
French
ID: <
10.4000/perspective.627>
·
DOI: <
10.4000/perspective.627>
when he entered Naples in May 1452, Emperor Frédéric III was shy. It is promena in the city, the regala of delicious dishes and made it open with magnificence. The King Alphonse of Aragon visited him not only his collection of Flemish paints, but also his treasure, in which he was urging him to use his full hand. But the real treasure of states is that of accumulated knowledge and memories. That is why the King of Naples was keen to guide his host...