How should theatre talk to children about migration and its politics, about death and separation, about arrival and new hopes? What tone—when speaking of violence and torture, injustice and political manipulation, losing one’s family and language, seeking safety and new friends—should the artists take on? Should this conversation be educational, protective, cautious, neutral, or entertaining? How should artists shape their work for children of different ages to help them respond to the scope and complexity of the topic? Estelle Savasta’s play Traversée (2011) provides some responses to these questions. It engages with the pedagogical and artistic traditions of making “emancipatory theatre for children,” and it allows the conversation about war and migration to take place. Director Milena Buziak’s 2016 staging of Traversée presents an example of Theatre for Young Audiences (TYA) that takes on the responsibility of making its spectators politically aware and emotionally engaged, specifically when it comes to their understanding of social injustice today. By engaging with the most urgent political issues related to global migration, this article provides an example of making theatre for children political.