“it took a long time to recognise the unpainted canvas as one of the most beautiful landscapes. It was necessary for the painted canvas of the same colour as the wall to tell her the way, in the foreground. It was necessary to appear in front of one of the oldest models of painting, the opening, the entrance to the cavern, the window, recognising that a new step could be taken, skipping the way” (rutault claude, de-finishes/methods 1973-2016, rewrite [without cutting] — rewriting...