Thesis
French
ID: <
10670/1.5b60ay>
Abstract
While asserting the Plantagenet dynasty, has developed a series of statues of kings, queens and bishops in the decoration of the Early Gothic churches of the West France. Reliant architectural forms in which they appear, these effigies are placed on various media-specific margin religious themes represented on the Angevin vaultswhich have a strongly hierarchical and highly symbolic. Separate representations of kings biblical or hagiographic depictions, they perpuate the image of the founder or patron cleric inherited from antiquity that the study of occurrences of the fourth to twelfth centuries highlights the diversity of reasons for that match, however always a desire to assert power in place.Developed under Henry II and his son, these effigies nature are sometimes strong dynastic one element of a broader political propaganda, similar to that undertaken by the Capetian at the same time. The timing of each of the churches involved is fundamental to the identification of each dignitary, making the region by Philippe Auguste in 1204 to make study more difficult. In each monograph, we try and clarify the dating of buildings and , after analyzing their iconographic progam, we seek to identify the effigies of kings, queens and bishops Based on the historical political and religious-specific each church.