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Criticism 2.0?


If the afflatus of computers has marked the activities of archivists, as we are reminded in this issue about the founding of the Archives de la critique d’art (ACA) in 1989, the development of computer technology, and data-processing, has also transformed the practice of art criticism and the activities of authors. From scratching out to the [delete] key, from scraps of paper to copy-and-paste, from linear scripting progression between drafts and occasional notes to cumulative and layered com...

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