Henri Michaux, one of the sacred monstres of the 20th century French literature, has for several years been the most studied ‘French’ poet in France and probably beyond. Books about it are plethora, articles are made up in hundreds, and the ‘michalian’ literature continues to slip. However, David Vrydaghs’ s book, drawn from a doctoral thesis supported at the University of Liège in 2005, filled a gap, not least, as it proposed...