In the field of francophone literature, there are currently about twenty French-speaking Chinese authors : Cheng Ki-Tong, Sheng Cheng, Cheng Ching, Francois Cheng, Gao Xingjian, Shen Dali, Ya Ding, Dai Sijie, Ying Chen, Wei Wei, Shan Sa, and Ling Xi... These writers circulate in different cultures, use two languages, and consequently their writing mixes a Chinese color with a Western one. Through their experiences, we note that some of them have developed a double artistic practice, in accordance with their cultural identity, which is now dual. They thus build not only a bridge between two languages and two cultures, but also a bridge between different media or artistic supports (novelistic and film or pictorial). How has Chinese francophone literature developped itself ? And how can we understand the novelistic writing and the artistic practice of the French-speaking Chinese authors ? Focused on French-speaking Chinese authors and their works, our research formulates a hypothesis about the articulation between interculturality and intermediality within the Chinese Francophonie.