this work arose from a fascination and a question. The fascination for the proliferation of often highly enigmatic figures whose novelty hats are the place has been exacerbated in the case of the auvergnate buildings, and in particular, it must be said, in Saint-Pierre de Mozat, whose weaning plastic and seemingly non-Christian topics do not leave room for disconcerting. The question can be taken at a very general level: how to understand the successor...