A recent publication by the Muzeum Współczesne in Wrocław sheds light on a compelling, even though not yet fully acknowledged, practice of the Polish artist Zbigniew Geppert (1934-1982). The trajectory of Geppert’s artistic development was not uncommon for his time, as the artist studied respectively at the Warsaw Polytechnic, Ecole d’Architecture in Lausanne, Academy of Fine Arts in Warsaw and like many of his contemporaries treated science, design and art as necessarily complementary endeav...