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Thesis

French

ID: <

10670/1.k2ahq6

>

Where these data come from
Chaos and surface in contemporary sculpture

Abstract

This is a thesis conducted in the science of art, especially in poetics and aesthetic s by a practitioner sculptor who reflected on the notion of chaos and the surface in contemporary sculpture. I started with my approach about poetics and that of other artists, such as those at the origin of the Arte Povera and Land Art. Some graphics will treat this report through my journal as an artist, a daily and banal journal, and through drawing, which is not only a means of representation but it is a tool of knowledge and the production of reality, it is also a way to explore nature and a way of understanding chaos and to produce the surface .The plastic part requests the use of materials found in my home area. These materials are dense, full of tangled branches, where there is no visible order. This thesis opens a discussion that focuses on the concepts of chaos and the surface. In the first part is the issue of creation - research. Then we dealt with the issue of chaos and the surface of a general reflection on supporting references such as Reynal Sorel (Greek mythology and philosophy) Maurice Merleau-Ponty (Phenomenology), Gilles Deleuze and Clément Rosset (philosophy), Jacqueline Lichtenstein (art history and aesthetics). Surface and chaos are always together, they are complementary .We treat this duel in special cases, such as Auguste Rodin, Henry Moore, Jean (Hans) Arp and artists of Arte Povera and Land Art.

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