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The feminist literary reflection test

Abstract

With the increasing development in recent years of feminist approaches and approaches to literature and its various manifestations, much has been written about the practice of trial among writers. For these purposes, the trial became, from the beginning of the 20th century, a scene from which, in order to assert, discontinuous, fragmentary and dialogical self-representation could be envisaged, as well as enabling the expression of multiple personal, intimidating and emotional narratives, all of which are adjoining the autobiographi.Bárbara Jacobs is among the writers who have signed up to this genus, whether from the academy, journalism or literature, in order to assert that intellectual work is humane and reluctant. On the other hand, with a clean game, Jacobs continues the abundant tradition of testing in Mexico and is part of the ‘new literary test’ in which the feathers of Hugo Diego Blanco, Hugo Iriart, Alberto Ruy Sánchez, Fabio Morábito, Adolfo Castañón and Jaime Moreno Villarreal, among others, stand out, without forgetting the forerunner of all of them: Augusto Monterroso, a Guatemalan who has been established in Mexico for more than 50 years.

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