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Article

English

ID: <

10670/1.p6e501

>

Where these data come from
The recognizability and consequentiality of mistakes: Some notes on the article by Klemp et al.

Abstract

In a documentary called Attrazione D’amore, the cinematographer Frank Scheffer provides footage from a lunch concert at Amsterdam’s Royal Concertgebouw. When the orchestra starts to play Mozart’s Piano Concerto No. 20 in D minor, it becomes apparent that the renowned pianist Maria João Pires had made a mistake. As the director of the concert, Riccardo Chailly, recounts in the film: “She was shocked because she was expecting us to play another concerto. So when I started the first bar of the D...

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