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Immersive experience of documentary web: case studies and ideas

Abstract

reviewed by the School of Journalism in Lille. This study was launched in the context of the research group set up at the Lille Higher School of Journalism on the subject of “journalism 2.0”. Our work aims to discuss issues related to publication and reception of documentaries based on immersion in a hypermedia device. We would like to propose some avenues for analysis on this subject through the documentary web case study of the production company Honkytonk. These documentaries have the special feature of being presented in the form of journalistic surveys. We will question these devices not only in their technicality but also in their content; that is to say, in their rhetoric and meaningful production. We will first define the differing characteristics of this unstabilised format, in order to clarify the production context and the role of the various actors involved in the landscape of the French documentary web. After looking at the historical and socio-economic context of this “innovative” format, our study will focus on questions about the acceptance and ownership of the device by the user generated by the analysis of the corpus: what really changes or persists in the reception of a documentary web compared to a traditional audiovisual documentary? What are the cognitive difficulties encountered by users during navigation? 119 immersive experience of documentary web: studies of the Cas and ways of... The landscape of the French documentary web history and terminology The web documentary is an interactive film that combines photographs, videos, sounds, texts, maps and graphic elements, associated with the potential of the participatory web (social forums, cats, geo-localisation, databases, etc.). Hybrid editorial format, the documentary web offers an interactive narrative in a storytelling that the reader directs and whose script fragments reading. This multi-faceted object does not yet have an aesthetic form, or a completely stabilised type of narrative or business model. In the field of media professionals, many names coexist to name this “innovative” object: web reporting, interactive survey, interactive experience, etc. We will use in our study the concept of “interface-film” in the wake of Marida Di crosta, which analyses the interactivity of “actable films”

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