Other
Spanish
ID: <
10670/1.r8gkm0>
Abstract
This article sets out to accompany Eugenio Trías in his task of articulating a highly critical revision of Heidegger’s nihilistic existential analytic, which makes Dasein a being-for-death. For Trías, it is about to rewrite the existential analytic from the ontological framework of a hidden tradition, which links Nietzsche to Plato, as well as making it fruitful for the proposal of a tragic ontology that identifies being and time, so that Heidegger’s failed project can be completed. Likewise, this research is completed with his theorizing of the temporality of the “fronterizo”, carried out in hist latest texts, elucidated through the musical experience.