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French

ID: <

10670/1.rdkm1q

>

Where these data come from
H M or the space of the dein

Abstract

In the melting of Michaux’ black crossed chain with a red and white whale photograph in no more than a contrasting whale. A man matured in the mirror of a window L image of his face ends with that of a portrait of Michaux. The commentary cites the poet. It is an inner state that it should be able to paint and not the nose of the eyes on the outside. It is a sort of programme which he gave with his written and painted works in this way. to the forms and writing of intériorities such as reflections or translations br zooms and travellings on Michaux’s red drawings, this colour between l ochre and blood invading the field in most planes on a music consisting of abstract electronic sonorities Paysages of the slow landscapes of the road and life rather than the surface of the earth Crayonnages vague of flageolant lines face with sharp lines and dead eyes On bloody dishes a strident brown of piano acidulus The blurring wins some of these mined silhouettes pressed one against the other First allusion to the use of mescaline 0: 12. The most secret of the mentally worlds where it is upset to effroi and infinite forced by mescaline A half erased from the painted tournaments Exploration by words of the drawings The mescaline is explored L image vacille on superimposed pencils to translate a perpetual metamorphosis and transusbstantation L experience accompanied by barely bearable disorders reflected in the true image of a strident J siffing on the door I pass a new door. No move I pass through new purified doors with purified masses of densities. Music is apaise on a stabilised frame in which bubbles aggregate Dernier outline of the motif poet that looks like all those who make up his work and who have scandal the film On l animation of the graphic works of Henri Michaux citations to explain his approach. The film tilts when he refers to work under the influence of drugs more tension the quest for an expression of intériority moving forward in unknown lands. He then takes a tragic dimension.

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