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Thesis

French

ID: <

10670/1.s36g7o

>

Where these data come from
Models of the feminity, the ideology, the sacredness and the gender trough the National Ballet of Cuba and the Castro revolution. The body battling against the academic dance and the revolutionary rhetoric : for a multidisciplinary analysis of the intimate and of politics

Abstract

This work has for objective the construction of an analysis between the Human Sciences inorder to put forward to advance the stakes in the construction of the Cuban ballet in the revolutionary rhetoric. The National Ballet of Cuba (nationalised since 1959), as an institution, stages mechanisms and values for the structure of the power in the Castro regime. In this society, moved by an adaptation of the theories Marxists-Leninists, the distance towards the religion let us envisage that the other faiths, the other practices or the other images participate in the production of a shape of crowned which forges the social link and the identity of the Cuban society. The Cuban ballet can be analysed thus as a privileged witness of these peculiarities, in particular in the perspetives reserve for its feminine icons and for the broadcasting of the ideal of the romantic dancer.

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