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The existential narrative of Mario Vargas Llosa, réquiem for the victims in Peru

Abstract

The literary speech is committed from the 21st century perspective to literally observe and justify the rebellion of Mario Vargas Llosa as a cosmopolite writer and impeccable opposition to political violence and national and international terrorism against every repression, humiliation and anti-human rape. The scenario offers clear reminiscences in the marxist philosophy of the French left, the existencing spirit of Sartre and Marcuse and the sugestive naturalism of Flaubert. The work sheds light on the literary metamorphosis of authorship under the ‘fire’ of the revolution, synonymous with the country’s desired democratic transformation. The reason is the antagonistic Latin reality where political, economic, social and cultural misery prevails. The selected works symbolically represent the start (city and dogs) and the completion (Lituma in the Andes) of the boom, as part of the Spanish-American socio-cultural, literary and aesthetic movement of the 60s. Vargas Llosa will be analysed as a pioneer of structural transfer from mymetic emphasis to Platon’s aesthetic poiesis, as a production of real artistic values. The research will address the contradictory duality, without the cover, of artistic subjects who simultaneously synchronise the indigenous macrocosm populated by the inch saws and the Burmese macrocosm. This comfortable confrontation of antagonistic stories and cultures will be embodied in the writer’s narrative through the symbolic past and psychological realism of the present. This, to formalise the true Peruvian experimental novelty, and the return to the near world, looking at irony and humour.

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