Summary This article looks at horsery-nudness binomio in the Somers Uprising writer (1950) of the Somers Uruguay writer (1914-1994). The aim is to demonstrate that in this novel the female bare horn is a space from which the relationship of domination of men over women is called into question and the supremacy that both philosophy and religion have given to the Heart, the intellect or the spirit over somatic is broken. The projected reading route will make it possible to observe that Somers has built the body since silence, meaning the singular place that the meat has had in the philosophical tradition.