Image or screen, obvious and opacity, characterises the image: doubling the object, it is self-evident, allowing the distance of visibility to be played without, however, allowing any appeal by the invisible. It is this pervasive and unclean picture paradox that we focus here from Giacometti to Proust, from Giorgione to Godard, or from Beckett to Balzac. By connecting the text to the table, and the table to the film, the aesthetic amplitude of the same hypothesis is measured: visual or Norway, the image effect liberates the part of the shadow in both the figures and the signs, driving them in their eyes by concealing their lines and breaking the representations by helping to form them. Never present on its own, the image is imaginative. Taking the concept into account, perhaps the idea is: this would be the final example of a concealment that we wanted to make the very idea of image.