Article
Undefined
ID: <
50|doiboost____::7a016b15517b12db22187dede5cd818c>
·
DOI: <
10.3917/rhlf.041.0045>
Abstract
This study proposes a comparee analysis of the facon of which the executives of three major collections of eastern storms from the first third of the 18th century are used to produce this singular litterary device, the collection of imitated tales of the Mille and a nights. The compendiums are the Mille and a day of grandchildren of the Croix (1710-1712), the Mille and a quarter of an hour, tartaric tales, de Gueullette (1715), and the whole formed by Le Belier, the History of Fleur d’Epine, Les Quatre Facardins d’Hamilton (1730). Following an analysis of the framework disputes, in memes and in their transformational relationship with that of the Nuts, there is a series of hypotheses on the company’s hermeneutical and litterary issues, in particular the regulation of the original enonciative system, the emergence of a critical dimension of the Ecoute/reading, the questioning of the moral/reparative function of the cont, and the development of a debate on gender aesthetics.