The study of a special category of the horror film, the makers, both in terms of content and shape, takes us to the scenario of the adolescent vecu. The carpenter of the alarming etrangete and her syncopee temporalite point to a common unconscious problem. The feminine’s central challenge finds a solution for teenagers’ representation and destitution through the identificatory figures of the killer and the victim. As a vehicle of an induction rituel of grade, it is a resource of the adolescent in the face of puberty upheaval.