Thesis
Spanish
ID: <
http://hdl.handle.net/10251/10686>
·
DOI: <
10.4995/thesis/10251/10686>
Abstract
The link between sound and visual perception in musical creation environments has been one of the most recurring and natural arguments in terms of understanding, analysis and aesthetic assessment of a musical work. Parameters concerning space, sensory and cognitive manipulation and interpretative gestuality, through recording and interaction devices, such as sensors, provide a renewed framework for musical expression approaches. The investigation has been carried out in 6 parts: the O Test presents the theoretical context, which will define the ways in which the research will be conducted and in which concepts and approaches will be outlined in the following 5 chapters. The following 5 chapters form the practical part. The first test entitled ‘Acusmatic counterpoint in Vivo’ deals with the design and composition of a work for an open type recorded support (tape), which calls into question the flexibility and adaptability of fixed media (fixed medium) and the analysis of parameters unrelated to sound production. In this case, a person reads a poem associated with a specific theme (Peranakan culture in Singapore). The following test, TanGram, investigates the interpretative scenario of an electroacoustic percussion quartet; there is a work for 4 TAMS TAMS and 4 remote control controls Wii by Nintendo, which the 4 interpreters bring to the arm and which allows exploring gestuality and expressive possibilities in instrumental group interpretation with live electronics. In the third test, “Sonido augmented”, a visual installation is proposed to react to the sound and movement of the interpreters of a jazzistic formation; in this case, an augmented sound environment is created. The fourth test, Electroacoustics and Video-Performance, investigates the creation of electro-acoustic music for a video dance with a specific approach and profile such as site-specific. In the last test, spectromorphology and visual gesture, the concordance and consistency between image and sound are investigated from the postulates of electro-acoustic language spectromorphology; the result of this test shall result in the composition of the sound part of a video documentary entitled ‘Manos that shape’. Cejudo perales, CD. (2011). Electroacoustics: the expression of the sound gesture [Tesis doctoral not published]. Universitat Politèca de València. https://doi.org/10.4995/Thesis/10251/10686