This work focuses on the analysis of models that make it possible to imagine and experience (homy) emotional relationships from a series of Argentinian films. Specifically, we are interested in describing and comparing images produced in the mid-1980s on homo-erotic gatherings. The films considered are Adiós Roberto (Enrique Dawi, 1985) and other history of love (Amerrico Ortiz de Zárate, 1986) showing love between the boys and the Atrapadas (Aníbal Di Salvo, 1984) Correctional of women (Emilio Vieyra, 1986) and Sucered in the internate (Emilio Vieyra, 1985), who encounter friends. To bring us closer to these productions, which reserve love for men and place lesbians in prison, we use the concept of ‘sexual scripts’ developed by Gagnon and Simon in their studies on sexual behaviour. An analysis of these film and sex stories, which are graphically objective, will make it possible to describe how gender, erotic, age, and class positions were differentiated in those years. Abstract: This paper maps on the analysis of models to imagine and experience (homo) related relationships in some Argentine films. Specifically we describe and compare images concerning homoerotic counters made during the ‘uncovering’ of the mid-1980s. The films in management are Adiós Roberto (Enrique Dawi, 1985) and other history of amor (Amerrico Ortiz de Zárate, 1986) that present the love between men and Atrapadas (Aníbal Di Salvo, 1984), women’s Correcional (Emilio Vieyra, 1986) and Suceó in detention (Emilio Vieyra, 1985) that portray lesbian relationships. To approach these texts we use the notion of ‘sexual scripts’ developed by Gagnon and Simon in their studies on sexual behaviour. The analysis of these stories of love and sex, kindly objectified, allow us to describe how gender, eroticism and social class had perfomatively (re) produced in years. The differences in the ways of doing homosexuality (in) visible demonstrating the completeness and variations of the sexual morality in the post-dictatorship Argentina culture