Inspired by actor-network theory (ANT), this article develops a theoretical framework for grasping the dynamic visual work of cultural memory. It introduces three sensitizing concepts derived from Latourian actor-network methodology, namely entanglement, relationality, and traceability, operationalizing them as methodological tools for reading the net-work of images. The objects of study are two visitor snapshots of the photographic exhibition, The Story of Soweto, at the famous Regina Mundi Church in Soweto, South Africa. I demonstrate that, when slightly adjusted for research engaging with visual materials, Latourian concepts are indeed productive for analyzing visual material and visual practices at memorial sites.