The article examines a group of medieval wall paintings and how they have been dealt with in the Finnish research history during the period from 1880 to 1940. The paintings have long been referred to ‘primitive paintings’ and thought to have been executed by local men. This interpretation has been in connection to the late nineteenth and early twentieth century history-writing and its attempts to establish and validate a shared national past for Finland. The notion of the ‘primitive paintings’ as something essentially local or ‘native’, was an endeavour of cultural construction that aimed to recreate a continuous, plausible narrative as a part of ‘writing the nation’ in the late-nineteenth and early-twentieth-century Finnish historiography.