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Article

Portuguese

ID: <

oai:doaj.org/article:39053a518da9489cb0ee16f857093a22

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Literature and transgressure: Sade, Masoch and Bataille

Abstract

The purpose of this article is to link literature and transgressure by looking at three of the writers considered ‘liberties’: Sade, Masoch and Bataille. Sade’s novels are erotic romances, written to sacify their furious sexual excitation and possibly communicate it to another. Sade presents us with his heroes as examples, it should be noted that he always qualifies them as accelerated, patiefs, monsters. Sade’s orthological accidents are nightdresses, so the imaginable may be admired because of their intensity of expression, whereas the corresponding achievable damage would be unsuccessful. In the meantime, a tendency to treat sexual distress, who wanted both patients and agents to have a special satisfaction in them, made an entirely new sense with Leopold de Sacher-Masoch, an enigmatic man who was able to carry out the sexual act only on condition that he was accustomed and humiliated by the woman he wanted. Bataille is the author who has a black sense of the erotic, its dangers of fascination and humiliation. In his work, the history of the Olho, there is a violent process of depersonalisation, the traits that distinguish the face is erased by leaving only the organs handed over to the internal convulsion of the meat, operating in a body which dispenses with mediating spirit. In this work, the subject of pornography is not sex, but death.

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