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Article

French

ID: <

oai:doaj.org/article:3ad02f23d43a4686ae5bb42579db8134

>

·

DOI: <

10.4000/rfsic.2603

>

Where these data come from
Narrer pour concevoir, concevoir pour narrer — enjeux épistémologiques croisés

Abstract

This study examines the narration within architectural design. It is carried here from an epistemological point of view. The architect-narrator is at the nub of various activities presented through three pictures: the storyteller, the designer, the worldbuilder. The story is then viewed as a specific aspect of the architectural design, i.e. the conception of reception. The architect imagines all together an artifact and the life in it, as he would make a world. As the understanding of the design is broadened by the storytelling, it calls for a thought about its knowledge. Distrust the communication to know the design encounters methodological question, however, a cross-fertilization of communication science and design science seems possible. This disciplinary meeting after all leads to the hypothesis of a complex case: the interaction of storytelling and design.

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