The recent introduction of Flemish in conservatories has led to the need to create content related to the musical aspects of this music, which are also largely forgotten in traditional flamencology. In order to understand how Flemish works, it is necessary to understand the functioning of its musical features. In this way, both the experienced musician and the novel musician can approach stylistic learning of this music without the need to spend a long time listening. The recent implementation of Flemish in conservatories has led to the need to create objections related to the musical aspects of this art, which, on the other hand, has been forgotten in traditional flamencology. In order to cover how flamenco works, it is necessary to know the functioning of its musical characteristics. Thus, both the experienced music and the novel, can approach the stylistic learning of this musical without long time on Listening.