The Miracle of the Crucifix of Beirut by the Florentine Jacopo Coppi in San Salvatore in Bologna: painted architecture and hypothesis for a new Jewish tolerance in the age of Gabriele Paleotti
Article
Italian
ID: <
oai:doaj.org/article:5a882afc628e4233a17193b9fd228f03>
·
DOI: <
10.6092/issn.2240-7251/11850>
Where these data come from
Abstract
The altarpiece by the Florentine Jacopo Coppi kept at the church of San Salvatore in Bologna represents the Miracle of the Crucifix of Beirut, a rare iconography that the Florentine painter inserts in a complicated architectura picta. This studio reconsiders the iconographic and stylistic aspects through the data of the most updated artistic literature pieces in order to read them in a new and different historiographic perspective, which also shows an unexpected policy of tolerance towards Jews in the Palaeottian context.