We propose in this paper to revisit the process of emission reception in the literary discourse of the author A. Maalouf: Le périple de Baldassare) through its generic stage and this in a dialogic perspective, using the typology of forms of dialogism proposed by S. Moirand. This will allow us to show that this openness to a variety of other speech is not only an accessory but essential for optimal reception of the latter. To this end, we will first present the generic scene then we will highlight the various forms of the side of the production, then the one of the reception that is to say, that of the reader through the different profiles of the latter.