In the course of this work, we are looking to locate, within Mikhail Bakhtin’s thinking, the set of texts in which we can find formulations about biographical ways and (self-) gêneros, as well as the various dialogues they have held with the Roman gênero. Such inputs can be found above all in those written on the concept of chronotope, which, alongside other concepts of bakh years, of which, among other things, we highlight dialogism, prove to be fundamental to identifying the joints which make it possible to understand the theoretical place occupied by the ‘biographic space’ in the context of Bakhtin’s reflection. and rethought by the Argentinian researcher Leonor Arfuch, he denotes the intercursive circumference which currently inhabits not only autobiography, biography and nearby gêneros, but also other cultural valuations of a similar or even stylised nature, hybridised, nuanced by biographic (auto-) tones.