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Commemorative art in the process of lugarisation of memory. The symbolic and narrative construction in Predio Quinta Seré, Morón, Buenos Aires

article

<oai:doaj.org/article:658dcaf0d4034c2da271d75cb01f841b>
KeywordsTriple Keywords
Retention (Psychology)
Memory
Concepts
Concept formation
Construction
Buildings--Design and construction
Western architecture (Western countries)
Architecture, Western (Western countries)
Architecture
Building design
Volition
Will
Conation
Art, Occidental
Art, Visual
Fine arts
Art, Western (Western countries)
Visual arts
Iconography
Arts, Fine
Western art (Western countries)
Art
Arts, Visual
Occidental art
Empowerment (Social sciences)
Power (Social sciences)
Political power
Politics
Political science
Government
Political thought
Commonwealth, The
Administration
Civil government
Political theory
Science, Political
Practical politics
Mass political behavior
Political behavior
Politics, Practical
Electoral politics
Communication, Primitive
Mass communication
Communication

Abstract

The proposal for this article is part of the analysis and reflection of a socio-spatial process that we call the lugarisation of memory as a concept to think of the reversed reference frames in the narrative and symbolic construction of a memorial site. In this work, we will analyse the artistic intervention La Huellas de fire in order to be able to deepen the way in which commemorative art, politics and memory are articulated in the socio-spatial practices deployed in this place of memory. The senses build a memorial narrative that is placed on the house and functions as a visual tool of significance. We therefore use as a methodology both the analysis of secondary sources such as photographs and materials produced by the Directorate for Human Rights, as well as the information obtained from exploratory, in-depth interviews and participating observation.

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