The proposal for this article is part of the analysis and reflection of a socio-spatial process that we call the lugarisation of memory as a concept to think of the reversed reference frames in the narrative and symbolic construction of a memorial site. In this work, we will analyse the artistic intervention La Huellas de fire in order to be able to deepen the way in which commemorative art, politics and memory are articulated in the socio-spatial practices deployed in this place of memory. The senses build a memorial narrative that is placed on the house and functions as a visual tool of significance. We therefore use as a methodology both the analysis of secondary sources such as photographs and materials produced by the Directorate for Human Rights, as well as the information obtained from exploratory, in-depth interviews and participating observation.