This article deals with a performing search in the process of creating rituals, interlinking daily vibrances with decolonial females, ritual performance and symbologies of the number three intrinsic to EXU. On the basis of a continuous letter addressed to Gloria Anzaldúa, the theoretical concepts of decolonial are linked to collective performance actions and to the principles of tha. This work investigates the crossroads as an expansion of the possibilities of being a woman, using the need for her to be so urgent to think of art, politics and cotidy in the Latin contemporary scene.