In order to bring museums’ understanding as spaces for symbolic repair and non-repetition, in this article I analyse the intentionally unfinished curadury used in the itinerant exhibition ‘Voces to transform Colombia’, which showcased the script of the future Museum of Historical Memory of Colombia. Using the combination of ethnography and curaduroy as a form of research, I am delighted to my role as curator, ethnographer, visitor and mediator of the exhibition to account for aspects such as background, content, team involved and some reactions from its audiences. I also draw attention to the possibilities and limits of considering your visitors as conarters of this type of unfinished curbee, and how they complement it with narratives, encounters and interactions in the exhibition.