The article deals with the social practice of producing digital sound maps (soundmapping) in an interdisciplinary perspective combining sound anthropology, acoustic ecology, psychogeography and critical cartography. Sound maps are included here as time-spatial, audiovisual, digital (re)presentations that are collectively based on the user-generated content mechanism and are based on global maps such as Google Maps and OpenStreetMap. In the article, I consider the issue of sound maps, understood as local and transphony experience, which are laudable in defining the use of sound maps as an imaginative process.