The role of the photographic reporter, in the face of the new configuration of printed journalistic products, is gaining a new dimension, in which the most important hand is the suit but its representation, its plasticity, often at the expense of information. New technologies have led to a real revolution in the ways in which images are captured and transmitted, which leads the photojournalist to lose control over his production, as in the process of producing information his images may gain new contours, new treatments to collect not only the representation of the news, but also to obtain steaming and, consequently, manipulation. The photograph becomes a performance, in order to achieve some objective through visual information or only to leverage sales, generate profits.