The aim of this article is to analyse the configuration of the image of the Spanish crown’s Enemies, specifically Muslims and Turks, during the early modern period. I am going to focus on the particularities of each area and chronology in order to know how this image changed and how it was perceived in the Royal triumphal entries and catafalques. These public celebrations cover very important information about the perception of medical features through ephemeral architectures, historic paintings and hieroglyphs. The purpose of this article is to analyse the creation of the image of the enemies of the Spanish monarchy, especially Muslims and Turks of modern age. The particularities that were developed in each area and chronology will be studied in order to understand how this image changed and was perceived in the trionphal intakes and cadafals of the monarchs. Through their ephemeral architectures, history paintings and gerolic paintings, these public celebrations provide us with very important information about the creation of the alteration.