Article
Spanish, Portuguese
ID: <
oai:doaj.org/article:cc852f89cb48481bb70ac461cd576211>
Abstract
From an interpretative perspective, the article describes the links and influences of the Roman style in Nicolás Gómez Dávila’s work, with the aim of tracking and visualising from the conceptual deployments of the author concerned, the consequences and updates of a marginal, dissident and ultimately excluded style of thought. Similarly, the tacit mechanisms that suggest from this investigation a contemporaneous reward of the current sense and function of the reaction as a possible and insubordinate movement of thinking are proposed: a re-emergence of Romanticism.