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Article

Spanish

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oai:doaj.org/article:d610f42ae53147dd9d5ca1bbee8f47a8

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Artes y posconflicto 2

Abstract

The logic of the conflict design the territories and create certain ways of living them. That is why the social ownership of past experience is converted into collective memory and its reconfiguration through the construction of citizens created on the basis of the filigrana that emerges when the memories are collated from everyday life, that is to say, gatherings around the word, meals, singing, bodies in motion, the fabric of their backpacks and the production of other crafts. their festivities and carnavals, in short, their artistic and social practices, when we bring us closer to their ways of matching with the other, their silence, fears and happiness, their happiness and disenfranchisement, can become ways of redesigning the conflict and reconstructing the social fabric. Many stories that share a space and start looking for how to count on these new ways of bringing together and living the territory and the city, are citizens where art is called to take the public, and the audiences are involved in this rite by channelling any sensitive expression and why not, seeking such a token repair. Or will it be that art does not help to take up life in another way? And can only artists do so? Abandoned territories, whose re-appropriation and sense of belonging are not only in the hands of decrees, pacts, gendarmerie or not, but by pegs, bodies made of dance and theatre, colours and gastronomy, all of which requires to nurture the present, i.e. everyday memories, with imaginary product of that dream of possible worlds, the potential act that art allows us to design 1; as well as making it easier for us to understand and resignify the past in a symbolic way. We still hope that these areas of conflict will begin to be inhabited in another way, and the art has already shown tracks there, especially since some social participation mechanisms have been wasting or have shown the difference between, for example, ownership of the street from art. References Londoño, E., (2011). Triptic words. Magazine Palabra y Obra, 6, 125-135. — 1 “this is what it does to subversive art, as it imagines or creates other realities, turning that imagination, sleep or fantasy into a powerful act, i.e. thinking an alternative reality to today, simply imagining or dying it is already a reality. It is a potentially transformative act, in the first instance by the individual who favours it, but it continues to encroach on others, which is why it is subverting reality. Puts culture on the move, transforms it, makes that artistic practices become cultural practices that transform the same culture’ (Londoño, 2011).

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