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German, English, Spanish, Portuguese

ID: <

oai:doaj.org/article:d8ee00824b9541ecab9fd7c40266f0a8

>

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DAUMIER, EISENSTEIN, KIRCHHEIMER: VISUAL ARTS, CINEMA AND CONTEMPORARY ARTISTIC PRODUCTION

Abstract

This article aims to discuss the relationships between visual arts, cinema and the new challenges imposed on the various contemporary artistic productions, examining them in the light of a certain artistic tradition which, in its time, has been an imagery that does not separate artistic form from historical material. I will shed light on these issues by looking at the productive use that the film Arte is... the permanent revolution – indignation in the great art (2012) by Manfred Kirchheimer, makes this tradition, which he wants to integrate.

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