The present text goes back to the affective-artistic relation among three Brazilian intellectuals from three different generations: Manuel Bandeira, Dalton Trevisan e Joaquim Pedro de Andrade – previously from the cinema’s point of view (in a work published in 2010) and now from poetry’s and circunstance’s. The first and only Bandeira’s poem published in Joaquim, periodical edited by the young Dalton, in 1948, the “Rondó do atribulado do Tribobó” (later published in Mafuá do malungo) presents a scene in which three characters are three children and a “very fancy lady”, their mother, being a poem that looks forward to the future in an amazing way, which we want to demonstrate through Bandeira’s “onomastic games”, “new gnomony” and “circumstance verses”.