Article
German, English, Spanish, Portuguese
ID: <
oai:doaj.org/article:df959a38a3074bbaafb96bbc05b3f306>
·
DOI: <
10.15332/s0120-8454.2015.0087.04>
Abstract
Assisted by the Sagradas Escrituras (primary source), Tradification, Anocotic literature, employers, hagiography, mystery and legend, and other historiography tools: the biography of artists and what the same works of art reveal, this work seeks to make up a grammar that is able to read unambiguously, confuse or opfuse the delicate issue of nudity in thought and enphically in Christian plastic, without ignoring the lecturer of the Church, so that this interpretative is not seen as mere speculation, and by seeking non-arbitrary, amnant or subjective conclusions. This is an effort to structure grammar with which Christian thought has seen the depiction of nudity throughout its bi-millennial tradition and opens up great and generous possibilities for artistic composition and thought, useful for both spirituality and celebration of the embodied Christ mystery.