At the beginning of the 16th century, the Ducal House of Medinaceli was one of the most distinguished aristocratic families in Castilla. The marriage formed by Medinaceli’s II showers, Juan de la Cerda and María de Silva y Toledo, developed a special sensitivity to art and culture. The jewellery orders for Medinaceli duquess are proof of this and make it possible to advance knowledge of their value and the names of the beaches, tardogtic orphes, who were involved, and to contextualise the outbreak of Valladolid and the silver markers that are documented as Abdinete or Francisco de Cuenca, whose tips are now distinguished in other preserved pieces. At the beginning of the 16th century, the Ducal House of Medinaceli was one of the most distinct aristocratic families in Castile. The couple Formed by Juan de la Cerda and Ms Maria de Silva and Toledo developed a special interest in art and culture. Jewelry orders for the Duchess of Medinaceli advancing this interest and low us to know their value, and the names of the late Gothic master silversmiths and Goldsmiths who were involved in the process. This study also allowed us to contextualise Valladolid and the markers of silver that are documented as Abdinete or Francisco de Cuenca, whose bodkins are still collected today in other preserved pieces.