Query : Altarpiece
- Antonio José Díaz Fernández3
- António Candeias2
- Francesca Coltrinari2
- Frederico Henriques2
- Giuseppe Capriotti2
- Javier Cuevas del Barrio2
- Jeanne Nuechterlein2
- A. Candeias1
- Agnieszka Patała 1
- Ainhoa Rodríguez-López1
- Alain Fretz1
- Alcalá Maícas, Lidia1
- Alexandre Gonçalves1
- Alexandre Maral1
- Alice Nogueira Alves1
- Alviž, Josipa1
- Ana Bidarra1
- Ana Calvo1
- Ana Isabel Santos1
- André Varela Remígio1
- Art and Art History37
- Cultural Heritage and Museology23
- Archaeology and Prehistory12
- History, Philosophy and Sociology of Sciences8
- Gender Studies3
- Methods and Statistics2
- Social Anthropology and Ethnology1
- Architecture and Space Management1
- Classical Studies1
- Musicology and Performing Arts1
Saint Vicente Ferrer (1350-1419) and the philosophi-rhetoric efficacy of the sawmill: Art and philosophy
The aim of this work is to analyse some aspects of philosophical discourse and the elements of medieval rhetoric contained in Saint Vincent Ferrer’s evenings (1350-1419), especially his reflections on a topic that is commonly and universally present in the Christian Middle Ages: that of moral virtue...
A resting sculpture: San Fernando del retablo Major del Monasterio de las Comendadoras de Santiago de Valladolid
Following the closure of the Santa Cruz monastery of the concessionaires of Santiago de Valladolid in the early 1980s, its heritage was dispersed in numerous institutions, both religious and museum; however, one of the sculptures of the largest retable, namely King San Fernando, was lost. Recently i...
New biographic data from master talLists Sebastián Jiménez (1715-1761) and the retablet of the Conception for the Church of Ntra. Mrs. del Valle de Villafranca de los Barros (1731-1736)
The aim of this study is to address outstanding work, and is simply to know the life of the artists who have been summoned in the province of Badajoz during Moderna Age. Knowledge of biographical data and artistic works will help to learn more closely about the “art reality” that was experienced at...
Immersive virtual reality to visualise the visible and infrared layer of a medieval altarpiece
165 178 16 3
Tüchlein : technical study and common alterations
79 86 1
Bartolomeo Passerotti for the “Strazzaroli”: «St. Jerome» of Dublin
The St. Jerome (Dublin, National Gallery of Ireland), coming from the Fesch collection and already attributed to Michelangelo, has long since been returned to Bartolomeo Passerotti, but is still little known in the artist’s catalog. This contribution intends to identify the St. Jerome with the lost...
The Miracle of the Crucifix of Beirut by the Florentine Jacopo Coppi in San Salvatore in Bologna: painted architecture and hypothesis for a new Jewish tolerance in the age of Gabriele Paleotti
The altarpiece by the Florentine Jacopo Coppi kept at the church of San Salvatore in Bologna represents the Miracle of the Crucifix of Beirut, a rare iconography that the Florentine painter inserts in a complicated architectura picta. This studio reconsiders the iconographic and stylistic aspects th...
An integrated safeguard project: preservation and communication strategies of altarpieces integrated in hermitages
The integrated safeguard plan has as main objective to develop a multidisciplinary approach on the preservation of altarpieces integrated in chapels, located in Alentejo. This project conjugates historical-artistic and technical-material research as a way to establish strategies of preventive conser...
«Quadri di Lorenzo Loto numero cinque»: documenti e ipotesi sulla dispersione dei dipinti dalla guardaroba della Santa Casa di Loreto / «Quadri di Lorenzo Loto numero cinque» (Five paintings by Lorenzo Lotto): documents and hypothesis about the dispersion of the paintings from the wardrobe of the Holy House of Loreto
Il contributo presenta alcuni documenti inediti su Lorenzo Lotto in grado di ampliare le conoscenze sul pittore veneto e sulle sue opere rimaste a Loreto dopo la morte. Alcune annotazioni contabili permettono di avanzare nuove ipotesi sulla consegna della pala Amici di Jesi, ultimo dipinto d'altare...
Unctio : la peinture comme sacrement dans la Pietà de Giovanni Bellini à la Pinacothèque Vaticane
This article addresses specifically and in depth the cornice panel of the Crowning of the Virgin still kept in Pesaro from which it was separated. We look at its particular iconography that could better be qualified as a scene of an Unction of Christ. Our goal is to understand Giovanni Bellini’s cho...
L’étonnante destinée d’un édifice provisoire : la chapelle royale de Versailles entre 1682 et 1710
Built in the space between the château and the Grotte de Téthys, the royal chapel of 1682 was designed from the outset as a temporary construction. It prepared the way for the great permanent edifice, the construction of which began in 1684, worthy of a Versailles that was now the home of the court...
Un dipinto di Antonio da Faenza per Recanati e il frate "prospettico" Giovanni Antonio da Camerino. Osservazioni sulla fortuna dei maestri romagnoli nelle Marche del '500 / A painting by Antonio from Faenza for Recanati and the “perspective” friar Giovanni Antonio from Camerino. Considerations about the success of Romagna artists in Marche Region during the 16th Century
L'articolo presenta il contratto per la pala dell'altare maggiore della chiesa di San Francesco a Recanati, commissionata ad Antono da Faenza il 12 gennaio 1530. Il documento permette di ampliare le conoscenze sul pittore e architetto faentino, chiarendo il rapporto con il frate Giovanni Antonio da...
Characterization of lacunae density in pictorial surfaces using GIS software
This study deals with the application of simple image-processing techniques, in a geographic information system (GIS) environment, on a detailed digital photography of a retabular painting. The aim is to register semi-automatically the lacunae density, through reclassification, and point density est...
«Espacios de memoria: el relato hagiográfico en textos y en imágenes. (A propósito de las "Tablaas de san Millán"»
Resumen: Las denominadas «tablas de San Millán» son un par de pinturas castellanas de estilo gótico lineal fechadas ca. 1390. En la actualidad se encuentran en Logroño, en el Museo de La Rioja, pero hasta la década de 1930 formaron parte del retablo mayor de la iglesia de Suso, la iglesia vieja del...
Triangular (and alternative) connections from Mediterranean Renaissance to Southern Raphaelism. Koiné-effect, frontier-artists, and longshore protagonists
This paper means to shed light on how a whole artistic production labelled as ‘peripheral’ has so far escaped the scope of monographic writing.Phenomena and factors such as the Mediterranean melting pot and the diffusion of the Flemish-Iberian taste—as well as the arising in early 16th century Naple...
What Is Seen and What Is Listened: an Experience on the Visual Learning of Music Through the Artistic Picture
This paper shows the results of an experiment consisting of a sequence of didactic activities carried out with students of first grade of Musical Language of Professional Conservatory Education through the artistic picture as main tool for the historical and musical contextualization and to suppo...
The palette of a 16th century Venetian artist: materials and methods of Giovanni da Mel
Giovanni da Mel (1480-1549) was an Italian Renaissance artist. He worked in the Veneto region and devoted himself to the fresco technique, in his family workshop. During the last part of his life, in the church of Trichiana (Belluno), he painted an altarpiece, which seems to be his only work on canv...
Lorenzo Lotto e gli strumenti del mestiere: la periferia come consapevole scelta strategica / Lorenzo Lotto and the tools of the trade: the periphery as a conscious strategic choice
Con il testamento del 25 marzo 1531 Lorenzo Lotto stabiliva la ripartizione dei modelli in gesso e in cera e dei propri disegni tra tre suoi antichi allievi: il bergamasco Francesco Bonetti, il veneziano Pietro di Giovanni – in quel momento attivo a Ragusa, l’odierna Dubrovnik – e il marchigiano mae...
Alonso Cano y el retablo de San Francisco en la Iglesia de Santiago de Madrid
The parish of Santiago in Madrid, hoarded throughout his expanded to history important art works, among them emphasized the altarpiece dedicated to San Francisco. The images that conformed it were made by Alonso Cano; the appearance of data related to the same ones, provides a new vision on the proc...
A dossier of Carlo Crivelli at Fondazione Zeri
The research aims to get a better knowledge concerning some issues related to first patrons of Carlo Crivelli in the Marche. In particular this research examines a dossier on the polyptych painted by Carlo Crivelli for the church of Porto San Giorgio in 1470, and kept at Fondazione Zeri. This docume...
Learning from the Role of Art in Political Advocacy on HIV/AIDS
This essay uses a mixed-methods approach combining scoping review, thematic qualitative analysis, and case study methodologies to identify relationships between art and political advocacy in the context of the AIDS epidemic. Thirty-four relevant articles were found through a comprehensive literature...
Wat kan architectuur in de middeleeuwen betekenen?
The article focuses on architectural iconography, which is at the core of Aart Mekking's inaugural address delivered at Leiden University. During the fifties this specialism gained popularity through the work of Günter Bandmann. Since then it has been limited by and large to the German-speaking worl...
Historical artistic and conservative study of the Orotava retablistic ensemble
[ES] This work concerns the historical artistic and conservative study of the retablistic ensemble of the main parishes of the historic helmet of the Villa de La Orotava, a city located in the north of the island of Tenerife. All of these are between the 17th and 21st centuries. This was done by tak...
Paintings of the 17th and 18th century in the capuchin churches and monasteries in Croatia. [Vol. I. and II.]
The doctoral thesis comprehensively presents paintings of the 17th and 18th century in Capuchin churches and monasteries in Croatia. This fragment of the Croatian artistic heritage of the post-Trident period has not been analysed as a separate artistic whole until now, and some paintings have not be...
‘The notary’s ekphrasis. The description of the painting in the Trecento contracts "