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La judéité blasphématoire de Paul Celan ; The blasphemous Jewishness by Paul Celan
Abstract: In the context of his encounter with Nelly Sachs, Paul Celan writes in his notebook that he "hopes to be able to blaspheme to the very end." Paul Celan's complex relationship to Judaism is not only an existential fact, but also an important source of his poetry. In the following, I will fo...
Blasphemous Modernism: Profiles In Profanation, From *Ulysses* To *Nightwood*
In his 1934 book After Strange Gods, T. S. Eliot declared blasphemy obsolete. There could be no blasphemy worth the name, he reasoned, in a world that had lost its faith in God. Yet recent scholarship in sociology and across the humanities has sharply questioned the oncedominant narrative of modern...
Blasphemous representations: Celebrities and the carnivalesque in South Park.
‘Blasphemous Representations: Celebrities and the Carnivalesque in South Park’ is a Masters dissertation that examines the tripartite of South Park, celebrities, and the carnivalesque. This research argues that the animated television series South Park uses laughter and humour to unpack the absurdit...
La memoria estética del videojuego: representaciones audiovisuales de Andalucía en Blasphemous
El videojuego como artefacto cultural tras-pasa su concepción lúdica construyendo sus propias funciones de socialización y re-presentación como el resto de los medios de comunicación. Entre estas funciones se desarrolla la puesta en escena de una deter-minada memoria estética que alude a refe-rentes...
Pagan angels and a moral law: Byron and Moore's blasphemous publications
Lord Byron's Cain and Thomas Moore's The Loves of the Angels are linked by critical accusations of blasphemy which threatened their legal and commercial integrity. Comparing the critical and legal reception of the two works and the subsequent responses of the two authors reveals complex formal and i...
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Blasphemous feminist art: Incarnate politics of identity in post secular society
Among the increasing number of publicly exhibited works of art that have become accused of blasphemy or sacrilege in the context of cultural identity politics in Western societies, religiously connoted feminist art works and performances seem to stand out and to fulfil a particularly provocative rol...
Bluźnierczy krzyk Kasprowicza wobec Lautréamonta (pararela)
The article is a parallel formulation of theodicea in Hymny {Hymns) by Kasprowicz and Les Chants de Maldoror {Maldoror’s Songs) by Lautréamont. What binds both poets is their rebellious attitude. Their work is permeated by dialogue with cruel God who created hell on earth for a hope of salvation. Wh...
Mystères «blasphématoires» de Bardesane Bardaisan’s “Blasphemous” Hymns
Bardesane († 222) est le premier philosophe chrétien de la langue syriaque, visé par la critique d’Éphrem le Syrien († 373) comme hérétique. L’article part d’une expression insolite, utilisée par Éphrem pour décrire l’erreur bardesanite: «mystères blasphématoires». Derrière cette formule se cache un...
Blasphemous assault: A content analysis on the anti-Christian semantics in black metal music
Abstract only ; The study is a content analysis of three prominent “Black Metal” bands and the sensitive anti religious content of two selected songs from each album belonging to each of the various artists. The study also provided a brief background for each artist, the chosen songs and its corresp...
Transgressive Women in Modern Russian and East European Cultures: From the Bad to the Blasphemous
Investigating the genesis of the prosecuted "crimes" and implied sins of the female performing group Pussy Riot, the most famous Russian feminist collective to date, the essays in Transgressive Women in Modern Russian and East European Cultures: From the Bad to Blasphemous examine what constitutes b...
Blasphemous bodies: Transgressive morality as cultural interrogation in romance fiction of the long nineteenth century
Title from PDF of title page, viewed on May 13, 2011 ; Dissertation advisor: Jennifer Phegley ; Vita ; Includes bibliographical references (p. 291-312) ; Thesis (Ph.D.)--Dept of English Language and Literature and Center for Religious Studies. University of Missouri--Kansas City, 2011 ; The long nin...
Po-bożność bluźniercza : Mariana Pankowskiego soteriologia literacka po Zagładzie ; Blasphemous piety : post-genocidal literary soteriology of Marian Pankowski
Artykuł analizuje sposób, w jaki Marian Pankowski uwzględnia dziedzictwo religijne w swojej twórczości, zwracając uwagę na jego krytycyzm, inspirowany przeżytą w obozie koncentracyjnym "śmiercią Boga", oświeceniowym sceptycyzmem kultywowanym na Wolnym Uniwersytecie Brukselskim i karykaturalną wersją...
How to do things with literature: blasphemous speech acts, satanic intentions, and the uncommunicativeness of verses
Literature has at times been theorized in terms of a message passing from author to reader, and this has often been done by reference to general theories of language use: the work is the vehicle of intentions that are realized (or not) in the reader's responses; the work is a “speech act” that opera...
Not dead, just sleeping: Canada's prohibition on blasphemous libel as a case study in obsolete legislation
Since the first Criminal Code in 1892, Canada has had a law on the books prohibiting the publication of a 'blasphemous libel' The statute resulted in five reported prosecutions over the years, the last in 1935. Although it hasn't been used in over 70 years, dead laws don't always stay dead: England'...
Det monistiska problemet och de blasfemiska textstrategierna i Lagerkvists Sibyllan
Helene Blomqvist, Det monistiska problemet och de blasfemiska textstrategierna i Lagerkvists Sibyllan. (The Monistic Problem and Blasphemous Textual Strategies in Lagerkvist’s Sibyllan.) This article discusses literary articulations of what can be named ‘the monistic problem’ — closely linked to the...
Die dunkle Seite von Jesus ein blasphemischer Spaziergang durch die Welt des Neuen Testaments
Sadistic God: Function of the Blasphemous Image of God in Dolce Agonia by Nancy Huston ; Un Dieu sadique : le rôle de l’image blasphématoire de Dieu dans Dolce agonia de Nancy Huston
The present article seeks to analyze the way in which the blasphemous figure of God in Dolce agonia by Nancy Huston allows the author to describe the sacred element in human life, seen as deprived of transcendental character. This is possible thanks to the three aspects of the text dependent on the...
Verlorenes Lachen blasphemisches Gelachter in der deutschen Literatur von der Aufklarung bis zur Gegenwart
Literaturverz. S. 195 - 213
Near-Death Experience in Video Games or How Looking Death in the Eyes Can Be a Sales Concept: The Case of Blasphemous from an Anthropological, Metaphysical, and Promotional Standpoint
Death is common in video games and one of the key elements to achieve bestseller status. From an anthropological perspective, near-death experience in video games enables the player to encounter familiarity with this uncharted phenomenon through interaction–which is necessary to understand and inclu...
Un Dieu sadique : le rôle de l’image blasphématoire de Dieu dans Dolce agonia de Nancy Huston
The present article seeks to analyze the way in which the blasphemous figure of God in Dolce agonia by Nancy Huston allows the author to describe the sacred element in human life, seen as deprived of transcendental character. This is possible thanks to the three aspects of the text dependent on the...
Der blasmusikalische Mainstream. Kritische Gedanken zur Entwicklung des Blasmusikwesens, dargestellt am Beispiel Luxemburg, Funktional. Konzertant. Medial. Banal
Von der Alta Cappella (bzw. den Stadtpfeifern) zum heutigen Blasorchester ist es ein weiter Weg und dies gleich in mehreren Hinsichten. Dazwischen liegen nicht nur Jahrhunderte, sondern auch die Entwicklung neuer Instrumente sowie der Wandel von Ansprüchen, Geschmäckern und Funktionalitäten. Letzter...
Diva da Sarjeta: ideologia enviadescida e blasfêmea pop-profana nas políticas de audiovisibilidade da travesti paulistana Linn da Quebrada
Neste artigo, analisamos algumas das formas de resistência mobilizadas pela artista, performer, bailarina e cantora paulistana Linn da Quebrada, atentando para modos de ocupar as cidades e as redes sociais que ressignificam corpos, espaços midiáticos e vida cotidiana. Filha de mãe alagoana, criada n...
KARANTİNA VE AŞI KARŞITI PROTESTOLARDA ÖZGÜRLÜK TARTIŞMASI VE KÜRESEL SİSTEME MUHAFAZAKAR ELEŞTİRİLER: ABD VE AVRUPA’DAN ÖRNEKLER
Karantina ve sonrasında aşı karşıtı gösteriler, 2020’den bu yana hemen hemen her ülkede çeşitli büyüklüklerde gelişmiş ve neredeyse küresel bir eylem dalgasına dönüşmüştür. Çalışmanın amacı, bu eylemlerde muhafazakar argümanların eylemlerin yoğunlaştığı ABD ve Avrupa örneklerinde nasıl tanımladığını...
Black bodies in rexistences take care of: Opposing looks and queer crowds in the Absolute and Blasphemous music videos Interview with Linn da Quebrada's Woman
This article deals with existences and resistances – rexistences – sexual and black dissidents from the music videos of the contemporary Brazilian artist Linn da Quebrada, more specifically Absolutes and blasFêmea, both from 2017. Self-identified as a black, peripheral transvestite and ‘gender terr...
Zwey dutzet Newer, ärgerlicher vnd erschröcklicher Gottslästerlicher Irrthumen: Der Euangelischen, reformierten, protestierenden vnd new Erleuchten Christen. Von Christi Jesu, vnsers lieben Herrn vnd Seligmachers, hochverdienstlichem bittern Leyden vnd Sterben ; Zwei dutzend neuer, ärgerlicher und erschrechlicher gotteslästerlicher Irrtümer: Der evangelischen, reformierten, protestierenden und neu erleuchten Christen. Von Christi Jesu, unsers lieben Herrn und Seligmachers, hochverdienstlichem bitteren Leiden und Sterben
[s.c.]
