Query : analysis (musical)
- Mladen Stajić7
- Marija Ristivojević5
- Ulrich Kaiser5
- Andreatta, Moreno4
- Luca Aversano4
- Martínez, Isabel Cecilia4
- Rodet, Xavier4
- Schwarz, Diemo4
- Stefan Rohringer4
- Amico, Marta3
- Bojan Žikić3
- Christian Utz3
- Consuelo Arguedas Quesada3
- Couprie, Pierre3
- Gétreau, Florence3
- Humberto Amorim3
- A. Yu. Rumyantseva2
- Adriana Lopes Moreira2
- Alberto Cabedo Mas2
- Alla Kozyr2
- Musicology and Performing Arts1592
- Art and Art History53
- History, Philosophy and Sociology of Sciences51
- Methods and Statistics39
- Cultural Heritage and Museology30
- Social Anthropology and Ethnology24
- Gender Studies24
- Architecture and Space Management14
- Biological Anthropology13
- Classical Studies8
- Communication Sciences8
- Archaeology and Prehistory6
- Political Science4
- Environmental studies3
- Economies and Finances1
Comparer l’incomparable ?
I claim in this paper that we should cross the analytical approaches of classical music and of popular music. To begin with, I suggest a description of the musical work considered as a combination of three types of elements, or zones, that address different kinds of listeners. Firstly, the structura...
Listening to EDM: Sound Object Analysis and Vital Materialism
In electronic dance music (EDM), melody, harmony, and rhythm are often indistinguishable, hence are inadequate as descriptive categories. The timbres of EDM are equally elusive: describing this music in terms of its sources (synthesizers, computers...) tells us little about the sounds themselves. Ov...
Physico-chemical study of varnishes of a corpus of European musical instruments from the 15th to the 18th century - Historical approach and conservation prospects
Various, and often contradictory, hypotheses have been raised for more than a century concerning the composition of ancient varnishes of musical instruments, in particular those made by Antonio Stradivari. Neither these hypotheses, nor the rare experimental results, allow grasping correctly the varn...
EX LIBRISEVOCACIÓN PLÁSTICA DE LA OBRA LITERARIA "LAS CIUDADES INVISIBLES" DE ITALO CALVINO
Mínguez Pérez, E. (2020). EX LIBRISEVOCACIÓN PLÁSTICA DE LA OBRA LITERARIA "LAS CIUDADES INVISIBLES" DE ITALO CALVINO. http://hdl.handle.net/10251/149885
Música, soroll and technology. “Ruidets”, a prototip interactiu
Domingo Muñoz, R. (2020). Música, soroll and technology. ‘Ruidets’, a prototip interactiu. http://hdl.handle.net/10251/148497
Which notes are Vadi-Samvadi in Raga Rageshree?
The notes which play the most important and second most important roles in expressing a raga are called Vadi and Samvadi swars respectively in (North) Indian Classical music. Like Bageshree, Bhairavi, Shankara, Hamir and Kalingra, Rageshree is another controversial raga so far as the choice of Vadi-...
Make the jazz. By co-producing the aesthetic experience in a jazz-club
Place of musical performance, which brings together physically listeners and musicians for the development of aesthetic experiences, the jazz-club allows you to question the ways in which jazz can be done. His Ordinary evensgive us to see and hear a set of parameters that make up these experiences t...
Presentation of a literary and musical workshop in teenagers’ unit
The adolescent, regardless of gender, age, social and cultural background, educational background or level, invests outside school time handwriting, graphics or music as a means of expression and communication. If he is unable to speak, he writes texts, diversifies his methods of literary constructi...
Expressive speech synthesis beyond the level of the sentence : the children tale usecase : tale corpora design and analysis for expressive speech synthesis
The aim of this thesis is to propose ways to improve the expressiveness of speech synthesis systems. One of the central propositions of this work is to define, use and measure the impact of linguistic structures operating beyond the sentence level, as opposed to approaches operating on sentences out...
New Possibilities in Sound Analysis and Synthesis
In this presentation we exemplify the emergence of new possibilities in sound analysis andsynthesis with three novel developments that have been done in the Analysis/Synthesis team atIRCAM. These examples address three main activities in our domain, and have reached a largepublic making or simply li...
Two pieces that emerged as one, or a unique capture of music inspirations: Count of an unusual creative process
Est and written accounts of the research process — creation of two pieces for clamping and piano, composed during the advanced make-up course of Dartington International Summer School (Devon, England) in July 2004 (With full funding for the composer by the Hinrichsen Foundation for the promotion of...
The musical interval: between the other and the other
"titrebSummary '/titrebThe basis of the musical structure is the interval between two sounds: time (duration, rhythm) and space (combination of voices/instruments). In musical myths, music is often considered to be of mystic origin. Music makes the relationship audible to the great other (e.g. in In...
“(I’m) Not A Bad Girl” Brenda Fassie or the transgression of norms
A through an analysis of the career and life of South African singer Brenda Fassie (1964-2004) the article aims to show how a popular success has been built based on the construction of a permanent character in the transgression of social norms which has led him to represent one facet of the fight a...
Prosodic analysis of urban music in French and Czech
Tato disertace se zabývá rytmem, přízvukováním a intonací v rapu a v reggae hudbě. Popisuje formální rysy jejich způsobů přednesu, které se váží na poetickou recitaci, zpěv a polozpěv, a které jsou podrobeny analýze v rámci srovnávací prozódie a teorie verše. Práce sestává ze sedmi kapitol a staví n...
Characteristics of Melody Structure of the Cello and Contrabass in Works of Iraqi Symphony Orchestra
The idea of this research is based on presenting a study specialized with the rules and bases of the Iraqi methodological music composition of the Symphony Orchestra according to the construction of the musical compositions of great forms and which are characterized by the melody difference and vari...
Expressive Discourse in the Rural Singing Form
The expressive discourse, in the form of the rural singing, is considered one of the interactive framework and the metaphorical dialogues in creating the aesthetic climate that connects the circles of its basic elements, singing, playing music, expression, costumes, sham movements and so forth....
The Constant and the Variable in the Kurdish Singing between the Past and Present
This research is interested in studying the constant and the variable within the signing reality in Iraqi Kurdistan region, and the researcher tries to tackle the importance of this topic within a search that serves the Kurdish culture, and contribute to its intellectual settlement, and introducing...
The location (s) of the hip-hop in Brazil
Since the early 2000s, hip-hop in Brazil has emerged as a musical culture specific to “sensitive” or “vulnerable” neighbourhoods in the periphery of major urban centres. An analysis of this musical practice in a comparative approach (with, for example, France or the United States) inevitably leads u...
« Silence Gets Breathless ». Expressing Death, Mourning and Memory by Composers of Ashkenazy Jewish Cultures. Central and Eastern Europe, United-States (1880-1980)
Even if, according to psychiatrist Jacques Hassoun "Judaism is not a funeral religion?", the wide Jewish world is not, however, restricted to only the religious aspects, and its musical currents are not only attached to liturgy. Dealing with Jewish cultures (insisting on the plural) allows us to tak...
Second person interactions in the musical practice of a tango duo
A tango duo is a social scenario conducive to music practice to study the interaction between musicians and in particular a type of one-to-one, direct and face-to-face interaction from the Second Person Perspective of mental attribution. An exploratory study was designed which consisted of a qualita...
From Erik Satie to Smashing pumpkins: about a fragile boy RIFF
Do we talk about RIFF in Satie, impressionism among Smashing pumpkins? Such as a remix, today’s pop syntax is only the result of a constant reuse of past sound materials, the substance of which makes it possible to articulate social relationships. From the Belle Époque to the alternative rock of the...
The clausule song at Christophe Honoré
During the Cinema Day I spoke about cinema writing in Honoré’s novels. But the film maker’s outturn in the work of the writer, I was above all taking the party to look for him in the audio band (dialogical and musical) of his literary works. In my view, the frequent and substantial use of the song c...
The ambience stamps in Back to Tipasa by Albert Camus and Henri Tomasi
Introduction Longtemps omitted in musical reflection or relegated by music analysis to a status of ‘secondary parameter’ (Meyer, 1989), the patch has for about a quarter of a century attracted the interest of musicolologists, analysts and psychoacousticians. It continues to be the subject of increas...
Festas e difusão musical no subúrbio belenense nos anos de 1950 * parties and musical diffusion at belenense suburb in the 50’s
Pretende-se, com o texto em questão, averiguar, ao longo dos anos de 1950, as celebrações festivas realizadas em ambientes de lazer e sociabilidade espalhados ao longo do subúrbio da capital paraense, enfatizando a análise de diferentes significados atribuídos por sujeitos que trabalhavam na imprens...
Under the sign of Sonate à Kreutzer: cinephilia, amateurism, legitimation
International audience Éric Rohmer's 1956 film Sonata à Kreutzer (available in restored digital format since 2013 ), filmed in silent format and later sonorized using Cahiers du cinéma's magnetic tape recorder, depicts the cinephilia in Paris in the 1950s, in close relation with the evocation of mus...