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Donc, first, get to see, and even impose a vision of what we prefer not to see, put to bare, humiliate the icons, undo and sow statues. Ponge, in 1930, written in ‘The Law and Propphetes’: The statues will pick up in the city one day with a tissue stick between the thighs. Women will then take their...
NUAKEA. Visual identity design for a motherhood oriented app
Brand design and graphic design in mobile applications are the main objects of this final Master Work. Mobile apps are a very important element today, building on the recent revolution in multimedia technology and devices in need of a visual style to communicate their functions to the user, such as...
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel <EM>Frankenstein</EM> that effectively reinvented the meaning o...
Keith Haring isotypes: from graffiti to communication graphics
Summer 1980 marks the birth of the small characters who will soon become the icons of American artist Keith Haring. Simple and monochrome silhouettes, with no face, detail or textual effect, these characters evoke the codified vocabulary of the official international signage. They are also conceived...
Images of the Americas: manufactures, representations, uses
Cartography, icons, pictures and animated cinema, the Americas generate and have generated an abundant production of images and representations, which this issue of the ILCEA magazine takes as a study. Involving researchers from different disciplines, the aim here is to examine the material and symb...
Numbers in scientific or technical advertising: when the language of the industry becomes a language industry
This article explores the use of numbers in scientific and technical advertising. On the basis of a typical chemical advertisement promoting a technique, various uses of numbers are described, showing how the advertising discourse diverts them to its advantage, in order to persuade them, so that the...
Φορητές εικόνες του Διονυσίου του εκ Φουρνά των Αγράφων και του εργαστηρίου του στις Σέρρες
The hieromonk Dionysios of Fournas in the Agrafa, who was born c.1670, was the theoretical exponent of the artistic trend that returned to the artof the Paleologues. Between 1728 and 1733, he also wrote the Painter’s Manual and was at the same time working as a painter both of murals and ofportable...
Humour in the post-war press: the stories of Gloria Fuertes en Maravillas
The Spanish civil war was an impasse in the development of the press as a communication support. Indeed, its instrumentalisation for propaganda purposes explains the role it played in consolidating the new state. Within the network of newspapers set up around the National Movement, the children’s pr...
Colloquium — Icones: the hardware factory for the visual
8, 9 AND 10 December 2021 Petit Palais — Museum of Fine Arts of the City of Paris, auditorium Institut National d’Histoire de l’Art Galerie Colbert, room Giorgio Vasari. This colloque-workshop offers a meeting between art historians, conservator-restaurants and conservation scientists to collectivel...
Falling Idols, Rising Icons. The Flight into Egypt and the Marian Devotion in the Time of Bruegel
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Церковь и горожане средневекового Пскова. Историко-археологическое исследование [Cerkov’ i gorožane srednevekovogo Pksova. Istoriko-arxeologičeskoe issledovanie]
International audience THE CHURCH AND THE CITIZENS IN MEDIEVAL PSKOVThe identification of the Christian Church with the whole organized society is the fundamentalfeature which distinguishes the Middle Ages from earlier and later periods ofhistory. However, in Russian historiography, Church history u...
Perspective. The INHA review: Antiquity/Middle Ages
[Editor summary] Antiquity: Offering, nurturing, building, preserving... from Acropole to Asia Minor, archaeology and history of antique art shed light on the objects, images and exchanges of an enlarged Mediterranean world. Medium Age: How can medieval art be measured, between indiviualities and co...
Developers
National audience Developers are the new icons of innovation, at the heart of the emergence of new technological objects (drones, 3D printer, biotechnology, etc.) and new uses. Often installed in the renovated subsoil of companies, sometimes hackers, sharing their time between official work and pers...
FORCOM platform, a virtual support resource for university teachers.
the article presents a virtual resource designed for teacher training and counselling: the ‘FORCOM Platform — Skills Training’. The content of the project is described and some of the results of the validation process followed by dosgroups of professors from the University of Seville are presented....
Memorisation of Information from Scientific Movies.
This study deals with students working with a hypermedia that links a bank of chemical movies. Two aspects were examined: (i) the factors (such as surface features) that prevail to the choice of movies by students that use the hypermedia; (ii) the kinds of information that students are able to memor...
Can video games change the world? An introduction to serious games.
the progressive popularisation of video games since the 1970s has now made video games an important means of entertainment and mass communication in the cultural industry. Its ability to influence the generation of social trends and icons may go beyond the playful dimension, and the book focuses on...
Public Art at Sede del Atlántico, University of Costa Rica (2014-2017)
This paper presents a set of public art projects carried out in the University of Costa Rica’s Sede del Atlántico, in the city of Turrialba, since the implementation of the Graphic Design major in that place. The projects carried out have transformed the space filling it with color and meaning. They...
Εικόνα του Χριστού Μεγάλου Αρχιερέα στη μονή Ρουσάνου Μετεώρων αποδιδόμενη στον Θεοφάνη τον Κρήτα
Στη μονή Ρουσάνου Μετεώρων εκτίθεται μία φορητή εικόνα του Χριστού στον τύπο του Μεγάλου Αρχιερέα. Η εικονογραφική και τεχνοτροπική συγγένεια με την παράσταση του Χριστού Μεγάλου Αρχιερέα στη Δέηση του καθολικού της μονής Αναπαυσά και με την εικόνα του Χριστού Μεγάλου Αρχιερέα της μονής Σταυρονικήτα...
Τρεις σκηνές από τον θεομητορικό κύκλο σε τμήμα εικόνας από την Κίμωλο
Η μικρή εικόνα που βρίσκεται στον ναό των Ταξιαρχών στη Χώρα Κιμώλου, απεικονίζει τρεις σκηνές από τον θεομητορικό κύκλο, (Ευαγγελισμός Ιωακείμ, Ευαγγελισμός Άννας και Ασπασμός). Η στενή εικονογραφική και τεχνοτροπική συγγένεια των σκηνών αυτών με ομάδα σύνθετων εικόνων, γνωστότερη από τις οποίες εί...
Ensor and Van Gogh: icons of modernism in the Netherlands.
Beauty and iconicity in The Temple of George Herbert: “If I but lift mine eyes”
"titrebSummary '/titrebCet article looks at the problematic status of beauty, especially art, for the Christian poet George Herbert. He intends to see how, in the light of the theology of the icon developed by the Greek patrist, the visual properties of Herbert’s poems are an instrument of reconcili...
Show and Tell
This short piece is a commentary on the collection of experimental interventions at the crossroads of sociology and comics, or comics-based research, published in the current issue of Sociologica. Starting from some of the most relevant aspects that both unite and distinguish the different approache...
‘Icons of science. Autobiographies and portraits of Bolognese naturalists of the first modern age’, by Marco Beretta, Bologna, Bononia University Press, 2020
Renovação urbana no contexto de globalização do capital: generalidades e particularidades das favelas da América Latina
In the context of a globalization of capital that fosters a "war of the places, in particulary at the “South global", favelas, paradoxically, have become a strategic place that attracts foreign and national capital. In 2011, the first urban cable car system installed in Brazil, in the favelas of the...
Guerreros, estado y “progreso” en billetes del stronismo (1954-1989)
An analysis of banknotes’ iconography of the stronismo (1954-1989) unfolds, on one side, continuity of images of 1952 and, on the other, a new serie with its own features in 1963. They are seven banknotes for nine years but nine banknotes and almost three times span the first one. Within the last se...