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Two-choke minds with Menault symphonies: a stylistic of likely
International audience
Two thousand church musicians and musicians in 1790
Access to the Muséfrem collection in HAL-SHS http://hal.archives-ouvertes.fr/MUSEFREM A large number of church musicians across France lose their jobs and income from 1790 onwards due to the closure of chapters and abbayes. The files they collect for the purpose of obtaining a pension or assistance...
Music and musicians in Church in the department of Charente around 1790
MUSÉFREM, as Church musicians in FRance at the Moderne Epoque... Moderne, most musicians from the former Regime were trained in masters of cathedral or collegial churches, whether they then worked in the service of Catholic worship or in a lay setting. The Church is also a key source of employment f...
A new cantillation for the proclamation of 25 evangiles of the liturgical year
An impulse of artistic creation combined with an impulse of religious life in search of radiation, and the need for awareness of close links between music and theology are at the root of this approach. Practical theology, in its interdisciplinary approach, has been the framework for this research an...
Church music and musicians in Tours at the end of the former regime
International audience
“Be organised by maurists on the eve of the Revolution”
International audience
Music and musicians from Church in the department of VIenne around 1790
MUSÉFREM, as Church musicians in FRance at the Moderne Epoque... Moderne, most musicians from the former Regime were trained in masters of cathedral or collegial churches, whether they then worked in the service of Catholic worship or in a lay setting. The Church is also a key source of employment f...
Euterpe, Aspasia and the sirens: controversy over women’s musical practices in Venice churches
This text provides a reflection on Venetian and foreigners’ speeches on the practice of sacred music by women. The church musicians, and in particular the ospedali virtuos, are the subject of numerous writing, sometimes in the form of real libels stigmatising a practice deemed inappropriate or even...
“Brioude, or the lasting survival of a clean liturgy”
Read the introduction of the collective work: http://halshs.archives-ouvertes.fr/docs/00/71/37/87/PDF/Dompnier_dir._Bas_choeurs_Intro.pdf read the bibliographical leaflet for the collective book: http://halshs.archives-ouvertes.fr/halshs-00713787 access the Muséfrem collection in HAL-SHS: http://hal...
‘The song in the village: in the Maine as well "
Church musicians in France at the end of the eigtheenth century: an ambitious prosopographic inquiry
International audience At the beginning of the French Revolution (in 1790), a very large number of musicians employed by capitular churches or abbeys lost their jobs. In order to obtain relief they then wrote down petitions, sometimes assembling a full dossier, in which they presented their situatio...
Master’s and screeds in the 17th and 18th centuries. Music institutions serving God
This volume offers the actions of an international colloquium (Le Puy-en-Velay, October 2001) which brought together musicians and historians around a central institution in sacred music from the seventeenth and eighteenth centuries, addressed not only in its religious function (musical practices an...
The religions, who are the preferred recipients of the motet in France of the Ancient Regime
. According to the fact that a quarter of the collections of motets printed in France in the 17th and 18th centuries are addressed to religious people or mention them as users, this corpus is reviewed as a whole. After highlighting the musical characteristics of these publications intended for conve...
Norms and legitimacy of singing actions and music in the 18th centuries (17-18th centuries) in France Norms and legitimising singing and music in the divin worship (17-18th centuries) in France: Texts collected and presented by Monique Brulin
sample of treaty extracts, comments and explanations from the messe and divin referring to the question of the song of Church We propose a sample of extracts of treaties, comments and explanations from the messe and divin referring to the issue of the song of church. These texts were published in th...
“The” musician clerks “in France at the end of the eighteenth century”
Access to the Prosopographic Database of Church musicians in 1790 Muséfrem: http://philidor.cmbv.fr/musefrem; Access the Muséfrem collection in HAL: http://hal.archives-ouvertes.fr/MUSEFREM/fr/
“Ceremonies, stunning and culture. Conclusion "
Read the introduction of the collective volume http://halshs.archives-ouvertes.fr/halshs-00713777. Access the Muséfrem collection in HAL-SHS: http://hal.archives-ouvertes.fr/MUSEFREM
To your diaries!
2021 • 28 février 2021 : 3e Muséfrem Partyhttps://musefrem.hypotheses.org/6936 • Les 11es Rencontres Muséfrem auront lieu les 21 et 22 octobre 2021 à Clermont-Ferrand.Pour en savoir plus : https://musefrem.hypotheses.org/les-rencontres-musefrem/journees-musefrem 2022 • Vendredi 11 février 2022 : Jou...
‘Foreigners’ in French church music bodies in 1790: overall weighing test
International audience
Music and musicians from Church in the department of Haute-Vienna around 1790
MUSÉFREM, as Church musicians in FRance at the Moderne Epoque... Moderne, most musicians from the former Regime received training in masters of cathedral or collegial churches, whether they then worked in the service of Catholic worship or in a lay setting. The Church is also a key source of employm...
Music and musicians from Church in the department of CTO D’OR around 1790
MUSÉFREM, as Church musicians in FRance at the Moderne Epoque... Moderne, most musicians from the former Regime were trained in masters of cathedral or collegial churches, whether they then worked for Catholic worship or lay. The Church is also a key source of employment for musicians and musicians,...